
Sculptable fabric bowls
Artist: Various Guild membersCreated at our 2019 By-Member, For-Member sessions.
Created at our 2019 By-Member, For-Member sessions.
100% wool, handspun and hand dyed.
Handspun fleece from 27 Northern European Short Tail breeds of sheep. Blanket hand woven in Shadow Weave.
Woven on a rigid heddle loom with handspun and commercial wool yarns.
Woven on a rigid heddle loom with superwash Merino wool.
Handknit with 100% cotton yarn.
Ombre indigo dyed linen warp, handspun tow linen weft–a great portable project!
Made with hand-dyed blue wool and white wool roving. Approximately 12″ x 16″.
Created with a small shuttle and thread to produce lace, tatting is a very portable and versatile craft.
Made from fabric scraps and thread as part of the Guild’s Redo and Renew Study group project.
Mohair lap blanket (53″ x 36″) with 3 groups of ikat threads dyed in an indigo vat. Brushing and fulling the mohair was messy, but fun!
Hand woven on a small tray using handspun yarn.
This scarf was handknit to visualize climate data from Seattle, WA, in 1968 (December on left and January on right). Two rows were knit each day for a year, using an assigned color to represent the high temperature of the day.
Homegrown flax tow fiber and small ball of handspun.
Handspun and handwoven from a cria (first shear) fleece, this warp is indigo dyed and the weft is natural colored.
100% wool, woven on a rigid heddle loom.
Woven with hand-dyed silk & wool.
Inspired by vintage Japanese kasuri kimono fabric from Gallery Kei, both warp and weft of 40/2 linen were dyed in an indigo fermentation vat.
http://www.woodspirithandcraft.com/
Made with one warp of 5/2 cotton, each placemat has a different 4 shaft twill pattern from Davidson’s green book.
Detail of traditional Shetland lace shawl, hand spun and hand knit. The shawl used 4000 yards of yarn and weighs in at a quarter of an ounce
Natural brown wool as background, with alder and goldenrod yellow and lichen pink accents.
Sampler woven with paper fiber.
This wrap was woven on a rigid heddle loom from handspun gray Merino wool and blue nylon yarns. It features pickup stick patterning and a crocheted picot edge.
Japanese knots on Lake Superior Rocks. Harmony Rocks are pleasing and peaceful, interweaving, meant to create a sense of tranquility during these discordant and confusing times.
This wearable art is created through the nuno felting process and combines silk fabric with fine layers of merino wool, novelty yarn, bamboo, silk and other embellishments. Approximately 12″ x 52″.
The artist was inspired by “the many shades of orange in a northland landscape”.
Turned twill towels in several shades of hand dyed indigo cotton.
Woven on a rigid heddle loom with superwash Merino wool.
Merino wool was spun long draw from separate, tiny rolags of individual color blends from multiple hand-dyeing experiments, then 3-plied using a chain ply method to blend the transitions. Yarn was crocheted into a large granny square (10.5″ square) to better display the color variations throughout the skein.
Fair Isle sweater of hand spun Shetland dyed with natural dyes. There are 13 colors of yarn in this sweater!
Hand braided with wool strips. Approximately 2′ x 3′.
This Laportea Canadensis (“Wood Nettle”) was wild harvested and processed in Minnesota, then spun on a drop spindle quite fine (about 20/1) from fibers that are long and strong (a lot like linen, but stickier and a bit hairier). After boiling, the color lightened up. Once there is enough spun, the plan is to make pants out of the thread.
Hand spun and hand woven
Grown from seed and processed in Duluth, this line flax is ready to spin.
Shirt handwoven from handspun organic color grown cotton using a backstrap loom.
Handspun and handknit from a cria (first shear) fleece.
These yarns were dyed using a wide range of dye stuff including buckthorn (bark, leaves & berries), lichens, lobster mushroom, alder (leaves & cones), birch leaves, meadowsweet, jewelweed, hawkweed flowers, oak (leaves & bark), goldenrod, creeping charlie, sumac berries, Japanese knotweed, teasel and rhubarb leaves. In addition, they were dyed using modifiers including vinegar, ammonia, copper and iron which greatly expands the range of colors from any given dye bath.
2 ply yarn (on left) and singles yarn (on right).
This was knit from gray alpaca and black cotton and it is very warm!
Lace shawl knitted with handspun Shetland wool
This photo illustrates how stretchy sprang fabric is, even while on the loom.
www.woodspirithandcraft.com
Rag rug placemats using log cabin pattern.
A 22″ x 40″ transparency using 8/1 tow for warp and 6/1 for weft. Old wool hooking rags were used for the design.
Woven on a rigid heddle loom with 8/4 cotton rug warp and mop cotton as weft.
Handspun from merino wool and silk blend.
Woven in overshot with 10/2 cotton as part of a “Color in Weaving” workshop.
One day project by Felting Study Group members.
Woven with wool/silk blend on a rigid heddle loom.
Made with hand-dyed blue wool and white wool roving. Approximately 12″ x 16″.
This wearable art is created through the nuno felting process and combines silk fabric with fine layers of merino wool, novelty yarn, bamboo, silk and other embellishments. Approximately 12″ x 57″.
The artist was inspired by “changing forest seasons”.
Woven on a rigid heddle loom with wool yarn.
This was created in a virtual workshop with the Nordic Center in Duluth, MN. They had an exhibit called “A Dala a Day”.
Woven on a rigid heddle loom with wool and acrylic.
Woven on a rigid heddle loom with various wool and wool/silk/alpaca blend yarns.
Handwoven on a rigid heddle loom with cotton.
Handspun fleece from 27 Northern European Short Tail breeds of sheep. Hand knit sweater is based on a 19th century Swedish design
Twill towel in linen with hemp weft
This blend of brightly colored Merino wool was spun on a spindle and then crocheted into small granny squares.
Handwoven with cashmere yarn.